Descartes s Fourth Meditation On Truth And Falsity

In Descartes’s fourth meditation, he specifically demonstrates the relationship between the intellect and will, and his understanding of truth and falsity. Also, according to the objection regarding the cause of error, we know that Descartes’s idea of the source of error and the scope of the intellect and will is challenged. Objectors have different thoughts on the source of errors and they believe the scope of the intellect even seems to be wider than that of will. In fact, I agree with Descartes that the intellect is limited but will is unlimited; more importantly, the cause of error is the misuse of freedom of the will and lack of knowledge. Through careful examination of his works, we may confirm the theory of the intellect and will of Descartes s Meditation, and then we shall begin to carefully review his Fourth Meditation on truth and falsity. At the beginning of his fourth Meditation, Descartes clearly illustrates the existence of God, the impossibility of God being a deceiver, and the responsibility that God has about all faculties he creates. Based on these three understandings, he makes a critical move which separates his mind away from the senses because the sense can sometimes be deceptive. He also recognizes that his mind is a thinking thing. As we discuss in class, Descartes calls everything into doubt and convinces himself nothing exists in the world in Meditation I, so it gives him the reason to be sceptical about his beliefs. And in Meditation II, he

Analysis Of The Great Migration Of 1843 - 1069 Words

In 1843, farmers from Illinois, Kentucky, Tennessee and Ohio, who were not satisfied by the future their homes could offer them, decided to leave on a 2000-mile journey to Oregon in hope of finding better lives . In 1845, a few years after The Great Migration of 1843, fur trapper and guide Stephen Meek, mislead a group of emigrants following the Oregon trail from Missouri to the Willamette Valley, to a shortcut that put many of their lives at stake. Based on this true story, Kelly Reichardt’s Meek’s Cutoff (2010) uses its mise-en-scà ¨ne, cinematography and other formal properties to generate meaning about themes represented in this event such as trust, survival, and women’s role in a patriarchal society. The demonstration of this type of society is shown in the film by the use of the women’s point of view, which will be analysed using a simple chosen excerpt. In the selected scene, the women’s muteness and passiveness can be clearly identified by multiple elements of formal features such as the point of view shot and edit of sound. One of the most obvious elements supporting this view is the manipulation of the loudness of sound. In the 9th shot, William, Thomas and Solomon walk towards Stephen as the camera stays positioned approximately where Emily and Glory are standing, thus creating a mobile long shot of the men as they are walking away from the women. As the camera adopts, the women’s point of view shot, the sound also adopts their point-of audition. The importanceShow MoreRelatedReligion and Education: The Long Struggle of African-Canadians3281 Words   |  13 Pages1828; this was after the blacks realized that their children were not given chances by local officials. 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Revenge in hamlet free essay sample

In Shakespeare’s play, Hamlet, the theme of revenge is reoccurring within at least three different characters. First and foremost is Hamlet, secondly there is Laertes and the third character being that of Fortinbras. Each has been wronged in some way or form and seeks retaliation. Upon reading the play, one might infer that Shakespeare’s attitude toward the act of revenge is in fact an unacceptable act for which no good can come. Furthermore, one might even go as far as to say that Shakespeare was an advocate of karma, in the sense that what goes around comes around. They play centers around the character of Hamlet, whose reason for revenge is sparked by an encounter with the ghost of his father. The ghost tells Hamlet â€Å"Revenge his foul and most unnatural murder. † It is by the ghost that Hamlet learns of his uncle’s treachery. Hamlet’s uncle has murdered his father and now soils his mother, standing as an imposter and in the way of Hamlet’s kingship. This becomes evident after Isas death when he talked to Genevieve and Hubert where he felt that his hatred and passion for revenge went dead and that he looks forward to being with his children for the first time. e. Maries death * The only child for whom he ever felt true love, Marie, died young. Like Christs sacrificial death on the cross, Marie died for her Papa to redeem him. We can infer that had Marie did not die young and Luc went missing, Louis would Just have his eyes on his two most beloved and would never see the path to Gods saving grace. E. Theme * sin vs. grace * Gods grace is accessible to anyone. Even the most miserly old sinner like Louis who strips himself of all his old illusions as he prepares for his inevitable end. Taking a cold, hard look at his life, and at the consequences of his meanness and solipsism, Louis begins to understand how a deliberate self-deception has shaped his life for ill, not for good. We are presented with a malevolent old man on his deathbed; the authors case is simply this: no one is beyond the reach of Gods grace. Without romanticizing Louis, Mauriac expresses the tragedy of a wasted life, the ragedy of a man who has closed himself off from a community of love to wallow in his own despair. Louis is sinned against as well as sinning, but he reserves many of his harshest Judgments for himself. He is honest, not hypocritical, and he often turns his cruelty inwards. But Gods grace reached him even though the members of his family are lukewarm Christians who spied upon his actions and whom he himself tormented. At fault, they have been driving him to despair and blinding his eyes to the light of truth. F. Salient Features of French Literature present in the Novel f. Individualism is more glorified * Louis has accustomed himself to despising those around him, to closing himself off from affection, to becoming the monster so many take him to be, almost as a duty rather than a compulsion. He confesses that my passion for possession, and for using and abusing what I possess, extends to human beings. * He compelled his mother to knock down the mud huts where their farm laborers had lived He even dreamt of using Marinette to make Isa suffer, as a form of revenge. Moreover, he is fond of portraying himself as someone cruel, even to his children. He s full of hatred for his family and loves it when he annoys them. * He hates religion and does not believe in God Revenge in Hamlet By greensmurf Revenge, or Wild Justice Revenge has no more quenching effect on emotions than salt water has on thirst. (Walter Weckler).